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Publisher: Panastudio / CASA RICORDI (Universal Music). Performing Rights: SIAE.
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ORCHESTRA
Enea e Didone, for string orchestra and harp (2023).
Enea e Didone (Aeneas and Dido) is an arrangement of the third movement “Canto d’amore: Enea e Didone” from Viaggi di Enea (Enea e Didone), for violin and orchestra – the latter was commissioned by the Teatro Massimo for the 30th anniversary.
Viaggi di Enea, for violin and orchestra (2022).
Viaggi di Enea (Voyages of Aeneas) is based on Virgil’s Aeneid. This is one of several works by Di Vittorio dedicated to Virgil’s Aeneid, including Arias for Aeneas and a future symphony.
Larchmont Harbor , Porto di Larchmont, for small orchestra (2021).
This work was written and premiered for the 130th anniversary of the Village of Larchmont in Westchester, New York. It is a period piece depicting music around the turn of the 19th century and following in the footsteps of barcaroles (boat songs) composed by Chopin and Mendelssohn.
Arie per Enea, for mezzo-soprano and orchestra (2020).
Arie per Enea is a song cycle of four arias composed for the contralto/mezzosoprano Alessandra Visentin, for an upcoming world premiere in Italy.
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Suite Verdiana, for orchestra (2020).
Suite Verdiana is a free transcription based on some of Verdi’s most famous operas where Di Vittorio borrows from La Forza del Destino’s Overture, La Traviata’s Prelude, Aida’s Dances and Triumphal March, Don Carlo’s bass aria “Ella giammai m’amo”, and Nabucco’s Slaves Chorus “Va Pensiero”.
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Ballo delle Muse (Dance of the Muses), for violin and orchestra
(2020). From Sinfonia N. 4 “Metamorfosi”
From the first movement of Sinfonia N. 4 “Metamorfosi”.
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Sinfonia N. 4 “Metamorfosi”, for orchestra (2019).
Sinfonia con programma in tre movimenti.
Poema sinfonico. Basata sul Metamorfosi di
Ovidio – e le pitture Il Trionfo di Bacco di Ciro Ferri, Venere e Adone di Tiziano Vecellio, e Enea che fugge da Troia di Federico Barocci. Ispirata dal canto Salve Regina.
Sarabanda Antica, for chamber orchestra (2018). For the Chamber Orchestra of New York. From “Fanfara del Mare”.
Per la Chamber Orchestra of New York
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Preludio Sentimentale, for string orchestra (2017). From “Sinfonia N. 1
Dalla Sinfonia N. 1, per orchestra d’archi
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Venere, for flute, harp and strings (2017). From “Venus and Adonis”.
Dal Venere e Adone, per piccola orchestra
(2014)
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Ode Corelliana, for strings and harpsichord (2016). For the Chamber Orchestra of Philadelphia.
Ispirata dalla musica di Arcangelo Corelli, ed il suo Adagio dal Concerto Grosso N. 8 “Natale”.
Canto per la Nativita, for small orchestra (2016). From the “Stabat Mater Speciosa”
Basata su “Tu Scendi dalle Stelle”
e
Stabat Mater Speciosa, Per La Nativita
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La Villa d’Este in Tivoli, for small orchestra (2015). For The Morgan Library & Museum. Based on the “Fontane di Villa d’Este”, for piano, by F. Liszt.
Basata sulla Fontane di Villa d’Este, per pianoforte, di F. Liszt.
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Fanfare del Mare “Su un Tema di Monteverdi” (Sea Fanfare “On a Theme by Monteverdi”), for organ and orchestra (2015). For the San Diego Symphony, in the centenary of Balboa Park and the Spreckels Organ Pavilion, 2015.
Basata sul mottetto “O Sia Tranquillo il Mare, O Pien d’Orgoglio” di Claudio Monteverdi.
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Overtura Palermo, for orchestra (2013). For the city of Palermo.
Overtura with program. For the city of Palermo.
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Venere e Adone, for small orchestra (2014). For the Chamber Orchestra of Philadelphia.
Poema Sinfonico. Pavana.
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Il Tallone di Achille (Achilles’ Heel), for small orchestra (2010, Completed 2013)
For other premieres, visit: Performances
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Stabat Mater Speciosa, Per La Nativita, for choir (five) and small orchestra (2012). For the Cathedral of Monreale.
Based on “You Descend from the Stars”
Text by Jacopone da Todi
c. 1495
Sinfonia N. 3 “Temples of Sicily”, for orchestra (2011). For the Orchestra Sinfonica Siciliana of Palermo.
To my parents Giuseppe and Caterina (Chiello) Di Vittorio,
for the Orchestra Sinfonica Siciliana of Palermo
Violin Concerto in A Major (1903/2009) [Respighi – Di Vittorio]. Commissioned by Respighi’s great nieces Elsa Pizzoli Mazzacane and Gloria Pizzoli Mangini.
Commissione dalla famiglia di Ottorino Respighi, pronipoti Elsa Pizzoli Mazzacane e Gloria Pizzoli Mangini,
San Michele Arcangelo, for baritone, mixed choir and chamber orchestra (2005).
San Michele Arcangelo, per baritone, coro e orchestra da camera
dal “Fausto” – Opera in due atti.
Sinfonia N. 2 “Lost Innocence”, for orchestra (1997 / Revised 2000)
Symphony No. 2 “Lost Innocence”, for orchestra, was composed in 1997 and then revised in 2000.
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Sinfonia N. 1 “Isolation”, for string orchestra (1994 / Revised 1999)
Sinfonia No. 1 “Isolation”, for string orchestra, was composed in 1994 and then revised in 1999.
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TRANSCRIPTIONS, REVIEWS, ORCHESTRATIONS & COMPLETIONS
Includes Critical Editions of Ottorino Respighi’s music for orchestra
Berceuse, per orchestra d’archi (1902/2022) [Respighi – Edited by Di Vittorio]
Respighi’s great nieces Elsa Pizzoli Mazzacane & Gloria Pizzoli Mangini, and archive curator/cataloger Potito Pedarra, for the Chamber Orchestra of New York.
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Tre Liriche, for soprano (or tenor) and orchestra 1913/2013 [Respighi – Edited by Di Vittorio] 2020 (this version)
The Tre Liriche (Three Art Songs) include Notte (Night), Nebbie (Fog) and Pioggia (Rain), which Respighi had originally set as separate works for mezzo and piano between 1906 and 1912.
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Violin Concerto “all’Antica” (1908/2019). [Respighi – Edited by Di
Vittorio](2020).
For other premieres, visit: Performances
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We Have All the Time in the World, for string orchestra (2020) [John Barry – Orchestrated by Di Vittorio]
This is a strings orchestra arrangement of John Barry’s instrumental version of “We Have All the Time in the World”, as given throughout the 007 James Bond film “On Her Majesty’s Secret Service”.
Orfeo, Toccata e Ritornello, for chamber orchestra (1607/2017). [Monteverdi – Orchestration by Di Vittorio]
From the introduction to Monteverdi’s opera
L’Orfeo. For the 450th birth anniversary of
Claudio Monteverdi.
O Mio Babbino Caro, for small orchestra (1918/2016). [Puccini – Orchestration by Di Vittorio]
Per la Chamber Orchestra of New York
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Clair de Lune, for small orchestra (1905/2016). [Debussy – Orchestration by Di Vittorio]
Per la Chamber Orchestra of New York
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Tre Liriche, for mezzo-soprano and orchestra (1913/2013) [Respighi – Orchestration Completed by Di Vittorio]
Respighi’s great nieces Elsa Pizzoli Mazzacane & Gloria Pizzoli Mangini, and archive curator/- cataloger Potito Pedarra, for the Chamber Orchestra of New York.
Read More
Serenata, for small orchestra (1904/2012) [Respighi – Edited by Di Vittorio]
Unlike the more austere Respighi works, this is a short captivating concert appetizer which shows the more lighthearted side of Respighi.
Read More
Il Lamento di Arianna, for mezzo-soprano and orchestra (1908/2012) [Monteverdi – Respighi, Edited by Di Vittorio]”.
Respighi’s great nieces Elsa Pizzoli Mazzacane & Gloria Pizzoli Mangini, and archive curator/- cataloger Potito Pedarra, for the Chamber Orchestra of New York.
Suite in Sol Maggiore, for strings and organ (1905/2011) [Respighi – Edited by Di Vittorio]
The Suite in Sol Maggiore for strings and organ was composed in 1905. It is a neo-baroque work and homage to J.S. Bach, Girolamo Frescobaldi and Arcangelo Corelli.
Read More
Suite per archi (1902/2010) [Respighi – Edited by Di Vittorio]
The Suite per archi dates to 1902, and was composed in six movements in the style of the Baroque.
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Aria per archi (1901/2010) [Respighi – Transcribed by Di Vittorio]
Respighi’s Aria per archi dates to 1901, a one movement work.
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Concerto per Violino in La Maggiore (1903/2009) [Respighi – Completed by Di Vittorio]
Commissione dalla famiglia di Ottorino Respighi, pronipoti Elsa Pizzoli Mazzacane e Gloria Pizzoli Mangini, ed il curatore dell’archivio Potito Pedarra,
per la Chamber Orchestra of New York.
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OPERA
Romeo and Juliet, Opera in two acts, for six soloists, choir and orchestra (2003).
For other premieres relating to this work, visit: Performances
CHORUS
Stabat Mater Speciosa, For the Nativity, for choir (five) and small orchestra (2012). For the Choir and the Monreale Sacred Music
Basata su “Tu Scendi dalle Stelle”
Testo di Jacopone da Todi
c. 1495
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San Michele Arcangelo, for baritone, mixed choir and chamber orchestra (2005).
San Michele Arcangelo, per baritone, coro e
orchestra da camera dal “Fausto” – Opera in due atti.
Ave Maria, for female choir, (1995, Revised 1998)
2000, Coro del Accademia Musicale Siciliana;
Chiesa St. Maria della Catena, Palermo; G. Colajanni, conductor
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CHAMBER
Castelli, for small ensemble (2014).
For the Ensemble Suono Giallo, and the Burri Foundation, Citta di Castello (Perugia). For the Centenary of Alberto Burri (2015).
For other premieres of this work, visit: Performances
Sonata No. 1, for clarinet (1995 / Revised 1998)
1998, Trio Strabern; Piazzetta dell’Addolorata,
Marsala; G. Mattaliano, clarinet
Read More
Larchmont Harbor , Porto di Larchmont (2021).
This work was written and premiered for the 130th anniversary of the Village of Larchmont in Westchester, New York. It is a period piece depicting music around the turn of the 19th century and following in the footsteps of barcaroles (boat songs) composed by Chopin and Mendelssohn.
Arie per Enea, for mezzo-soprano and orchestra (2020).
Arie per Enea is a song cycle of five arias composed for the contralto/mezzosoprano Alessandra Visentin, for an upcoming world premiere in Italy.
Read More
Tre Liriche, for soprano (or tenor) and orchestra (1913/2013) [Respighi – Orchestration Completed by Di Vittorio] (This version was published in 2020.)
The Tre Liriche (Three Art Songs) include Notte (Night), Nebbie (Fog) and Pioggia (Rain), which Respighi had originally set as separate works for mezzo and piano between 1906 and 1912.
Suite Verdiana, for orchestra (2020).
Suite Verdiana is a free transcription based on some of Verdi’s most famous operas where Di Vittorio borrows from La Forza del Destino’s Overture, La Traviata’s Prelude, Aida’s Dances and Triumphal March, Don Carlo’s bass aria “Ella giammai m’amo”, and Nabucco’s Slaves Chorus “Va Pensiero”.
Read More
Ballo delle Muse (Dance of the Muses), for violin and orchestra
(2020). From Symphony No. 4 “Metamorphosis”
From the first movement of Sinfonia N. 4 “Metamorfosi”.
Read More
We Have All the Time in the World, for string orchestra 2020, Panastudio/Casa Ricordi (Universal Music)
This is a strings orchestra arrangement of John Barry’s instrumental version of “We Have All the Time in the World”, as given throughout the 007 James Bond film “On Her Majesty’s Secret Service”.
Read More
Sinfonia N. 4 “Metamorfosi”, for orchestra (2019).
Sinfonia con programma in tre movimenti.
Poema sinfonico. Basata sul Metamorfosi di
Ovidio – e le pitture Il Trionfo di Bacco di Ciro Ferri, Venere e Adone di Tiziano Vecellio, e Enea che fugge da Troia di Federico Barocci. Ispirata dal canto Salve Regina.
Violin Concerto “all’Antica” (1908/2019). [Respighi – Edited by Di
Vittorio](2020).
For other premieres, visit: Performances
Read More
Venere, for flute, harp and strings (2017). From “Venere e Adone”.
Dal Venere e Adone, per piccola orchestra
(2014)
Read More
Sarabanda Antica, for chamber orchestra (2018). For the Chamber Orchestra of New York. From the
“Fanfara del Mare”.
Per la Chamber Orchestra of New York
Read More
Sentimental Prelude, for string orchestra (2017). From “Symphony No.
Dalla Sinfonia N. 1, per orchestra d’archi
Read More
Orfeo, Toccata e Ritornello, for
chamber orchestra (1607/2017). [Monteverdi – Orchestration by Di Vittorio] For the 450th birth anniversary of Claudio Monteverdi.
From the introduction to Monteverdi’s opera
L’Orfeo. For the 450th birth anniversary of
Claudio Monteverdi.
Read More
Ode Corelliana, for strings and harpsichord (2016). Per the Chamber Orchestra of Philadelphia.
Ispirata dalla musica di Arcangelo Corelli, ed il suo Adagio dal Concerto Grosso N. 8 “Natale”.
Read More
Song for the Nativity, for small orchestra (2016). From the “Stabat Mater Speciosa”
Basata su “Tu Scendi dalle Stelle”
e
Stabat Mater Speciosa, Per La Nativita
Read More
O Mio Babbino Caro, for small orchestra (1918/2016). [Puccini – Orchestration by Di Vittorio]
Per la Chamber Orchestra of New York
Read More
Clair de Lune, for small orchestra (1905/2016). [Debussy – Orchestration by Di Vittorio]
Per la Chamber Orchestra of New York
Read More
Sea Fanfare “On a Theme by Monteverdi” , for organ and orchestra (2015). Forthe San Diego Symphony, in the centenary of Balboa Park and the Spreckels Organ Pavilion, 2015.
Basata sul mottetto “O Sia Tranquillo il Mare, O Pien d’Orgoglio” di Claudio Monteverdi.
Read More
La Villa d’Este in Tivoli, for small orchestra (2015). For The Morgan Library & Museum. Based on the “Fontane di Villa d’Este”, for piano, by F. Liszt.
Basata sulla Fontane di Villa d’Este, per pianoforte, di F. Liszt.
Read More
Venere e Adone, for small orchestra (2014). For the Chamber Orchestra of Philadelphia.
Poema Sinfonico. Pavana.
Read More
Castelli, for small ensemble (2014).
For the Ensemble Suono Giallo, and the Burri Foundation, Citta di Castello (Perugia). For the Centenary of Alberto Burri (2015).
For other premieres of this work, visit: Performances
Tre Liriche, for mezzo-soprano and orchestra (1913/2013) [Respighi – Orchestration Completed by Di Vittorio]
Respighi’s great nieces Elsa Pizzoli Mazzacane & Gloria Pizzoli Mangini, and archive curator/- cataloger Potito Pedarra, for the Chamber Orchestra of New York.
Read More
Il Tallone di Achille (Achilles’ Heel), for small orchestra (2010, Completed 2013)
For other premieres, visit: Performances
Read More
Il Lamento di Arianna, for mezzo-soprano and orchestra (1908/2012) [Monteverdi – Respighi, Edited by Di Vittorio]1″.
Respighi’s great nieces Elsa Pizzoli Mazzacane & Gloria Pizzoli Mangini, and archive curator/- cataloger Potito Pedarra, for the Chamber Orchestra of New York.
Read More
Overtura Palermo , for orchestra (2013). Forthe city of Palermo.
Overtura with program. For the city of Palermo.
Read More
Stabat Mater Speciosa, Per La Nativita, for choir (five) and small orchestra (2012). For the Cathedral of Monreale.
Based on “You Descend from the Stars”
Text by Jacopone da Todi
c. 1495
Read More
Serenata per piccola orchestra (1904/2012) [Respighi – Edited by Di Vittorio]
Unlike the more austere Respighi works, this is a short captivating concert appetizer which shows the more lighthearted side of Respighi.
Read More
Sinfonia N. 3 “Templi di Sicilia” , for orchestra (2011). For the Orchestra Sinfonica Siciliana of Palermo.
To my parents Giuseppe and Caterina (Chiello) Di Vittorio,
for the Sicilian Symphony Orchestra of Palermo
Read More
Suite in Sol Maggiore, per archi ed organo (1905/2011) [Respighi – Edited by Di Vittorio]
The Suite in Sol Maggiore for strings and organ was composed in 1905. It is a neo-baroque work and homage to J.S. Bach, Girolamo Frescobaldi and Arcangelo Corelli.
Read More
Aria per archi (1901/2010) [Respighi – Transcribed by Di Vittorio]
Respighi’s Aria per archi dates to 1901, a one movement work.
Read More
Suite per archi (1902/2010) [Respighi – Edited by Di Vittorio]
The Suite per archi dates to 1902, and was composed in six movements in the style of the Baroque.
Read More
Overtura Respighiana , for orchestra (2008). To the ladies Elsa Pizzoli Mazzacane & Gloria Pizzoli Mangini, great-grandchildren of Ottorino Respighi,for the Chamber Orchestra of New York.
For other premieres, visit: Performances
Read More
Violin Concerto in A Major (1903/2009) [Respighi – Di Vittorio]. Commissioned by the family of Ottorino Respighi, for the Chamber Orchestra of New York.
Commissione dalla famiglia di Ottorino Respighi, pronipoti Elsa Pizzoli Mazzacane e Gloria Pizzoli Mangini,
Read More
Romeo and Juliet , Opera in two
acts,for six soloists, choir and orchestra (2003). Based on William
Shakespeare’s Romeo and Juliet .
For other premieres relating to this work, visit: Performances
Read More
San Michele Arcangelo , for baritone, mixed choir and chamber orchestra (2005). Also, Prologue from opera “Fausto”.
San Michele Arcangelo, per baritone, coro e orchestra da camera
dal “Fausto” – Opera in due atti.
Read More
Sinfonia N. 1 “Isolation” , for string orchestra (1994 / Revised 1999)
Sinfonia No. 1 “Isolation”, for string orchestra, was composed in 1994 and then revised in 1999.
Read More
Sinfonia N. 2 “Lost Innocence” , for orchestra (1997 / Revised 2000)
Symphony No. 2 “Lost Innocence”, for orchestra, was composed in 1997 and then revised in 2000.
Read More
Sonata No. 1, for clarinet (1995 / Revised 1998)
1998, Trio Strabern; Piazzetta dell’Addolorata,
Marsala; G. Mattaliano, clarinet
Read More
Ave Maria, for female choir, (1995, Revised 1998)
2000, Coro del Accademia Musicale Siciliana;
Chiesa St. Maria della Catena, Palermo; G. Colajanni, conductor
Read More