Born in Palermo, Italy, composer and conductor Salvatore Di Vittorio is heir to the Italian neo-classical orchestral tradition, “following in the footsteps of Ottorino Respighi” – Luigi Verdi, Philharmonic Academy of Bologna. He gained considerable attention with his completion of the first Violin Concerto (in A) and other works of Respighi by invitation of his great nieces Elsa and Gloria Pizzoli and archive curator Potito Pedarra.
Di Vittorio is founding Music Director of Chamber Orchestra of New York, which debuted in 2007 at Carnegie Hall’s Zankel Hall. His Naxos recordings with the orchestra continue to air worldwide, receiving much critical praise. He has worked with numerous orchestras, including London Philharmonic Orchestra, Teatro Alla Scala Opera Orchestra of Milan, San Diego Symphony, Chamber Orchestra of Philadelphia, Orchestra Sinfonica Siciliana, and Teatro Massimo Opera Orchestra of Palermo.
Di Vittorio is fascinated with the world of storytelling and best known for his lyrical symphonic poems, including program symphonies, which are often inspired by classical antiquity and show connections to the Italian Renaissance and Baroque. Under his baton, Chamber Orchestra of Philadelphia world premiered his Ode Corelliana in 2017, after the successful premiere of Venus and Adonis in 2016. “Di Vittorio’s Venus was an orchestral song, and often a beautiful one.” – Philadelphia Inquirer. “Venus…recalls Respighi, and is infused with Di Vittorio’s original imagination and ability to build musical architecture that ultimately fades, like Venus’s own loveliness. There is an appealing heft to this work, influenced by] Bach and Ravel.” – Broad Street Review. In 2015, San Diego Symphony world premiered his orchestral Fanfara del Mare “Su un Tema di Monteverdi”, commissioned for the centennial of Balboa Park at Copley Symphony Hall.