Watch the RAI Italia news magazine interview of Maestro Salvatore Di Vittorio at Carnegie Hall, where he discusses his work as a composer and conductor, and as Music Director of the Chamber Orchestra of New York. (Interview in Italian. For English translation: Turn on Closed Captions.)
A few Italian conductors of chamber orchestras noticed early on the neoclassical influence of Ottorino Respighi on Salvatore Di Vittorio’s early works, pairing them together in their programs. Music critics also made the connection, with some articles praising Di Vittorio and then described him as “following in the footsteps of Respighi”. In March of 2006, Di Vittorio founded the Chamber Orchestra of New York “Ottorino Respighi” to honor this bond and his commitment to the Italian repertoire. These developments caught the attention of certain Respighi scholars and the news eventually reached Respighi’s great-nieces, Elsa Pizzoli Mazzacane and Gloria Pizzoli Mangini.
Subsequently, Gloria Pizzoli hosted Di Vittorio in her home in Rome in January of 2008 along with Elsa Pizzoli at which time they spoke by phone with family archive curator/cataloger Potito Pedarra in Milan. They would invite Di Vittorio to complete several of the Bolognese composer’s unpublished early orchestral works. In the coming days, Di Vittorio would meet Potito Pedarra in Milan, and together they would visit Italian publisher Casa Ricordi to begin discussing the long-term project.
Amongst the works planned included the first Violin Concerto (in A Major), which would be completed compositionally in the third movement, the Tre Liriche for mezzo-soprano and orchestra would be completed in orchestration, and the remainder of the works would be completed editorially (i.e., as critical editions). All of the works would be engraved and published in their first printed editions. Today, the works are published under Edizioni Panastudio (Palermo) and distributed by Casa Ricordi (Milan).
During an interview for RAI Italia at Carnegie Hall in March of 2019, Di Vittorio was asked why he felt he had received such a great honor from the family and archive curator of one of Italy’s greatest orchestral composers. Di Vittorio responded “It was a tremendous honor for me as a composer to have earned their trust, and I had such great respect for them as they nurtured and escorted me to Respighi archives and a few related cites around Italy. They had caught that I shared Respighi’s love and unique interest in composing orchestral program music, with themes of antiquity. But, frankly, I learned later from Casa Ricordi that there were actually only a few living Italian neoclassical composers that would even have been considered at the time. Neoclassical composers are a rarity these days, including in Italy. I am forever grateful to Elsa, Gloria, and Potito for their dear friendship, vision and belief in the importance of my work as a composer.”
Di Vittorio continues to publish first printed editions of Respighi’s early orchestral works, and champions the works in performances with orchestras – especially with the Chamber Orchestra of New York for ongoing recordings on Naxos Records.
Visit: Works – Respighi Editions
On April 11th members of the Chamber Orchestra of New York performed at the James Bond Collection private event for the esteemed London brand Orlebar Brown, in partnership with EON productions – the producers of all of the 007 films. Salvatore Di Vittorio received permission from EON / EMI Music to create a replica of the original string version of We Have All the Time in the World from the film and soundtrack to “On Her Majesty’s Secret Service”. Here’s an excerpt from the event:
Wish to hear this music with the full string orchestra? Come to our June 6th concert at Carnegie Hall’s Weill Hall.
L’Etage Magazine had the opportunity to interview Maestro Salvatore Di Vittorio regarding his work with the Chamber Orchestra of New York, and his world of composition. www.letagemagazine.com/qa-with-music-director-composer-salvatore-di-vittorio-of-the-chamber-orchestra-of-new-york